NGC Registry

Collection Manager >

A desire for base coinage: An introduction to Irish copper

Category:  World Coins
Owner:  coinsandmedals
Last Modified:  2/20/2024
Set Description

A very brief history of the copper coinage of Ireland:

The title may seem odd considering this collection is mostly focused on the copper coinage of Ireland, but placed in the historical context of the era; this title has a great deal of relevance. Before 1680, the majority of coins circulating in Ireland were foreign, with a notable amount of English and Spanish pieces passing as legal tender. Most of this foreign currency, alongside what little truly Irish coinage remained, was either silver or gold. Little to no legal tender copper coinage circulated in Ireland. Numerous tokens, such as those commonly dubbed the St. Patrick’s issues, and counterfeits circulated freely in commerce simply because no other alternative was available.
St. Patrick Farthing (Circa 1660s)
Conducting business required coin and business could not stop simply because regal coinage was non-existent. Despite several contracts to strike coinage, Ireland’s shortage of lower denomination coins (mainly copper) would go mostly unresolved until 1769. Throughout these times, workers were often paid with private tokens or IOUs that could be collected only once enough money had been earned to merit a gold coin. The employee would then have to find change for this gold piece on their own to be able to purchase any goods or services. The title of this registry set reflects the struggles of the average Irishman in a historical context that was plagued by such a shortage of the very coins contained within this collection.

Although undeniably a pivotal component of the rich history of Irish numismatics, I have decided to forgo any mention of pieces that have garnered the majority of the attention of the subject such as those struck by William Wood, or Roche (Voce Populi), or the extensively researched gun money under James II. I have instead decided to only focus on the coins typically classified as standard regal coinage which are mostly overshadowed by the pieces listed above. To this extent, I am primarily focused on the regal issues produced under Charles II to George IV. It is this span of 143 years that I have done my best to track down decent examples of the copper coinage struck, most of which are halfpennies. To begin this journey, we will start by briefly exploring the history of the Armstrong and Legg pieces struck from 1680-1684.

To address the growing issue of virtually no regal copper coinage in circulation, Sir Thomas Armstrong petitioned Charles II for a patent to strike farthings for Ireland. This patent was granted on December 14th of 1660 and gave Sir Thomas Armstrong the right to produce copper farthings for Ireland for 21 years. Oddly enough, the approved patent fell on deaf ears and was not sanctioned in Ireland. Despite the royal patent and the collection of needed supplies on behalf of Sir Thomas Armstrong, virtually no copper farthings would be struck before his death. Before the contract’s expiration, his son Sir William Armstrong along with Colonel George Legg, once again petitioned Charles II for another grant to strike halfpence in 1680. This patent was approved on May 18th of 1680 and was to last for 21 years. Following the contract, they were to pay to the crown 16 pounds, 13 shillings, and 4 pence in two equal installments on June 24th and December 25th of 1680. A proclamation was made in on July 19th, 1680, that claimed these coins struck by Armstrong and Legg were legal tender in Ireland and made both Armstrong and Legg liable to exchange them for silver or gold at the rate of 20 shillings to 21 shillings of halfpence. Armstrong and Legg assigned this patent to John Knox, who would oversee the production of these coins for Armstrong and Legg from 1680-1684.

King Charles II died in February of 1685, and James II took his place on the throne. John Knox seizes the opportunity and petitions King James II for a new patent to strike halfpenny coins. This petition was granted, and the contract was assigned to Knox on October 3rd, 1685. John Knox struck halfpence pieces for Ireland from 1685 to 1688. The abdication of the throne in December of 1688 likely led to the seizure of production on behalf of John Knox, and this fiasco would lead to the Gun Money that has been so enthusiastically studied but has no place in this collection. At some point during this fiasco, Knox sold his patent to Colonel Roger Moore, who would later be responsible for the coins struck from 1692-1694 under the rule of William and Mary. Only halfpennies would be struck, and these would be the only regal coinage struck for Ireland under this rule. Mary succumbed to smallpox on December 28th of 1694, and her portrait was removed from the halfpence struck in 1696. The production of regal copper from 1692-1694 and then again in 1696 was much needed but did little to satisfy the demands for lower denomination coinage in Ireland. This shortage eventually gave rise to the coins struck by William Wood, which would mostly be detested by the general population and ultimately removed from Ireland for circulation in the American colonies. The copper shortage continued, and privately struck tokens ran rampant.

It would not be until 1736 under the reign of George II that Ireland’s need for copper coinage would be readdressed. Halfpennies and farthing were to be struck at the Tower of London using high-quality copper with every ton of copper rationed 5/6th halfpence and 1/6th farthings. A proclamation made May 6th of 1737 made the coinage legal tender, but it was not until April when the first coins struck arrived in Ireland. A total of 50 tons of copper coins were struck during this first contract, and it would not be completed until January 26th of 1739. According to my rough and likely incorrect calculations, 5,185,184 halfpence and 2,160,056 farthings were struck during the first contract. A second contract for 100 tons would follow in March of 1741 and completed in November of 1749. This second contract yielded roughly 10,370,366 halfpence and 4,319,541 farthings. The third contract for 50 tons of copper coinage was granted in April of 1750, which produced another 5,185,184 halfpence and 2,160,056 farthings. A fourth and final contract under George II was awarded in September of 1760 and completed in April of 1762. This last contract was for another 50 tons, which likely yielded around 5,185,184 halfpence and 2,160,056 farthings. Although two years after George II’s death on October 25th, 1760, the coins under this contract still portrayed the King’s likeness. Numerous sources have pointed out that the general public, still uneasy after the William Wood fiasco, were skeptical of the new copper made at the Tower of London. The lack of “DEI GRATIA” of “by the grace of God” on the obverse only served to heighten this skepticism in the new coinage. Nonetheless, these coins were eventually accepted and circulated freely throughout Ireland. Despite the replenishment of copper coinage, a shortage persisted.

George III succeeded George II on October 25th, 1760, and would not issue coins with his portrait for Ireland until 1769. This first contract was for 50 tons of halfpence. These coins were slightly heavier than those struck under George II at 134 as opposed to the 126 grains. This would yield somewhere around 5,850,746 halfpence. Another contract was secured in 1769 for an additional 50 tons of halfpence of the same weight. This would have yielded an additional 5,850,746 halfpence dated 1769. Although I was unable to locate dates or the total weight of these contracts, it appears another occurred, which resulted in halfpence being struck 1775-76 and again in 1781-82. All of the coins discussed thus far were struck at the Tower of London: however, those dated 1766 and 1769 portray a younger bust of George III than those dated 1775 and later. It should be noted that counterfeits of these coins ran rampant partially due to the extreme shortage of copper currency that led up until the early 1800s. The unification of Ireland and Great Britain on January 1st, 1801, did little to help the coinage shortage in Ireland. It would not be until 1805 before another batch of Irish copper would be struck, this time by the Soho Mint.

For those of you unfamiliar with the Soho Mint, I strongly urge you to check out my other custom set entitled “What comes next? You’ve been freed. Do you know how hard it is to lead?”. This set provides a very abridged history of the Soho Mint and how it led to the industrialization of the minting process. The application of steam-powered technology with the art and science of minting yielded coins of extraordinary quality. The quality of the pieces, both in craftsmanship and standardized weights close to intrinsic value, paired with the added security features such as the engrailed edge, help curb counterfeiting, which was a significant issue in Ireland. However, it would not be until March 26th, 1805 that the Soho Mint would be asked to strike coins for Ireland that would bear the likeness of King George III. Production of the Irish copper began the following month and was delivered in entirety by March of 1806. In total, the Soho mint struck 63,580,603 coins for Ireland, which consisted of 8,788,416 Pence coins, 49,795,200 halfpennies, and 4,996,992 farthings. This massive and quickly produced shipment of fresh Irish copper went a long way to alleviate the copper crisis in Ireland.
1928 IRISH FREE STATE PROOF PENNY

Despite the unification of Ireland and Great Britain, the two countries continued to strike their coinage because the two currencies were not equal. The Irish coinage was valued less than the English, and this would not be corrected until 1821 under the rule of George IV. It would not be until July 5th, 1826, that another batch of Irish regal copper would be ordered. Under this contract, Pence, Halfpence, and farthings were to be struck. The Pence and Halfpence pieces were struck and released for circulation, but the farthing pieces never were. Most standard reference guides list all 1822 farthings as proof and often classify them as patterns. Naturally, these farthing pieces are exceedingly rare and very valuable. The last Irish regal copper was struck in 1823 in both Pence and Halfpence denominations. Just a little tidbit of history, these coins were struck using equipment sold by the owners of the Soho Mint to the Royal Mint. On January 30th, 1826, Irish and English copper were completely equalized and were to be accepted at the same rate in both countries. On July 12th of the following year, all Irish copper coinage was demonetized and removed from circulation. From this point forward, only British copper would be struck and circulated as legal tender in Ireland. This would not change until the Irish Free State was established, and the Royal Mint was asked to produce coinage in 1928.

Disclaimer:

Much like my Soho Mint custom set, I did not keep an accurate record of citations. Instead, I took general notes from multiple sources in a very informal way. It was not until I decided to build this set that I compiled my notes in anything that resembled a coherent story. As such, the facts within this write up have been confirmed, but I encourage readers to do their research and by all means, contact me if they discover I have made a mistake. Listed below are the numerous sources I used to compile the information written above.



References:

Clermont, A. P., & Wheeler, J. (1986). Spink’s Catalogue of British Colonial and Commonwealth Coins. London: Spink & Sons, Ltd.

Coins of Scotland, Ireland, and the Islands (Jersey, Guernsey, Man, & Lundy). (3rd ed.). (2015). London, Spink & Son, Ltd.

Doty, R. (1998). The Soho Mint and the Industrialisation of Money. London: National Museum of American History Smithsonian Institution.

Dowle, A., & Finn, P. (1969). The Guide Book to the Coinage of Ireland from 995 AD to the Present Day. London: Spink & Son, Ltd.

Grueber, H. A. (1970). Handbook of the Coins of Great Britain and Ireland in the British Museum. London: Spink & Son, Ltd.

Lobel, R., Davidson, M., Hailstone, A., & Calligas, E. (1999). Coincraft’s Standard Cataloque of the coins of Scotland, Ireland, Channel Islands, & Isle of Man. London: Standard Catalogue Publishers Ltd for Coincraft.

Nelson, P. (1905). The Coinage of Ireland in Copper, Tin, and Pewter, 1460-1826.

Seaby, P. (1970). Coins and Tokens of Ireland. London: Seaby’s Numismatic Publication Ltd.

Soho Mint. (2019) Retrieved from http://sohomint.info/index.html

Thorburn, W. S. (1887). A Guide to the Coins of Great Britain & Ireland in gold, silver, and copper from the earliest Period to the Present Time with their Value. London: London and County Printing Works.

Interesting websites:

https://oldcurrencyexchange.com/2015/08/09/obrien-coin-guide-armstrong-legges-irish-regal-halfpennies-for-charles-ii/

The current set:

Several factors limit the breadth and scope of the current collection. Perhaps the two most limiting factors are time and money in no specific order. I lack a reasonable amount of both. In keeping with the fighting Irish spirit, I have done my best to hunt down raw examples of these coins, and after scrutiny, I have sent them to NGC to be graded. These coins are denoted with the “Skinner Collection” pedigree on the holder. Please keep in mind that both time and money are limiting factors, so if a coin bears the Skinner collection pedigree, I have put forth a great deal of effort to include it in this collection. Although most coins bear this pedigree, a few pieces do not. These are coins that I either did not feel comfortable purchasing raw or have not been able to find an attractive raw example at the purchase price offered for the already certified piece.

The pictures of those coins not bearing the Skinner collection pedigree are noticeably better than those with the pedigree. This is because these coins, for the most part, have been professionally photographed, and I have inherited those images as the new owner. All of the coins bearing the Skinner collection pedigree were purchased raw, and the pictures included within this set were taken by me. Given my depleted coffers and my unwillingness to spend money on a nice camera as opposed to a coin, I have opted to use my iPhone to take pictures of the coins that were not previously photographed by a professional. I do my best to ensure that I capture an image that depicts the actual color, character, and condition of the coin. This is an ongoing learning process, and I will periodically update the pictures as I hone my skills. The descriptions provided are the best that I can do with the examples I have at my disposal. I have included the edge characteristics as well as the average weight in grains (grams are in parentheses) when available.

Set Goals
The goal of this set is to build a collection of the currency issues, proofs, and restrikes of copper coinage struck for Ireland from the rule of Charles II to George IV. In the process of completing this collection, it is my sincere hope that I can bring knowledge to those interested by providing detailed pictures and accurate descriptions. A great deal of numismatic history remains to be explored by those unfamiliar, and what better way to learn than by looking at a selection of handpicked specimens?

Slot Name
Origin/Country
Item Description
Full Grade
Owner Comments
Pics
View Coin 1782 Ireland ½ Penny IRELAND 1603-1823 1/2P 1782 NGC MS 66 BN With a few notable exceptions, the George III Irish copper struck at the Royal Mint is common. The bulk of these pieces are in lower circulated grades with a couple dozen uncirculated examples showing up during an average auction year. However, they are rarely in gem condition. I would estimate that the bulk of them fall somewhere in the MS-63-64 range. It is incredibly difficult to find an example that is fully struck, free of environmental damage, and well-centered. This example happens to check all three of those boxes and is remarkedly free of contact marks.

Obverse: This obverse design depicts a much younger George III than its later Soho counterparts. The King is depicted facing right with his hair adorned by a wreath of six leaves and two berries. The wreath is tied behind the neck by a ribbon with two bows and two loose ends. The upper bow and loose end protrudes outward behind his head, with the loose end pointing between the "G" and "E" of the legend. The lower bow rests on the rear of his neck, and the lower loose end laps under a large bundle of hair and rests on his right shoulder. The aforementioned large bundle of hair consists of a series of curls that flow behind his shoulders and eventually drape behind the bust toward the rim. Another large locket of hair curls protrudes from under the bust and rests in the area between the shoulder truncation and the rim. A large curl rests above his ear, but unlike other portraits of the King, the hair above his forehead is neatly slicked back. The legend is divided between the bust. The first part, GEORGIVS appears on the left, and the second part, III · REX · appears on the right. It should also be noted that a stop appears just above his head.

Reverse: The reverse portrays a crowned harp with 9 strings. The harp's left side consists of a half-clad woman; her lower half is adorned with what I describe as a mermaid-like fin. Her top half is exposed. Her outstretched left wing makes up the top of the harp, which is met by a curl and a thin bar connecting the top to the back of the harp. Unlike the earlier Irish coinage, the crown seems to rest upon the harp as the harp's top part obscures the inner ring's backside. The inner bottom band (i.e., the inside rim) of the crown is plain, but the outer bottom band (i.e., the outer rim) is decorated with a pattern of precious stones that appears as the following: (◊ : ◊ : ◊ : ◊ : ◊). It should be noted that the gems are horizontal and not vertical, but I could not figure out how to rote the shapes. In the inner center of the crown is a Maltese cross followed by a fleur-de-lis on either side. A Maltese cross appears on the outer side of each fleur-de-lis, and from each top protrudes a bridge adorned with ten beads. These bridges bow out on either side but converge in the middle of the crown conjoined by a nondescript design resting upon the inner center Maltese cross. Resting upon these bridges is an Orb surmounted by another Maltese cross. A single bead further adorns the upper and outer branches of the uppermost Maltese cross. The Legend HIBERNIA . appears above the main device. The date "1782" is divided between the bottom foot of the harp, with "17" occurring at the left and "82" at the right.

Edge: Plain

Notes: I am overjoyed to have this example in my collection, but I find it highly unlikely that I will ever be able to assemble the entire series in such a high state of preservation condition. It is fascinating to think that someone back in 1782 may have stored this coin away so that collectors like me could enjoy it. I can’t help but wonder what stories it might be able to share if it could.
View Coin 1805 Ireland Penny S-6620 Skinner Collection IRELAND 1603-1823 PENNY 1805 Skinner Collection NGC MS 64 RB I have always admired Boulton's Irish coinage, but I have noticed that high-quality pieces are far more challenging to locate than their English counterparts. This makes sense given the difference in mintages between English and Irish coinage and the fact that Irish coins, in general, seem to be hotly contested in the marketplace. This particular example is a penny struck at the Soho Mint for circulation in Ireland. Like their English counterparts, the Irish Pence also did not bear a denomination in their legends. The size and weight of the coin told the entire story. As I have noted before, I have yet to discover an excellent reference book for varieties that even comes close to Peck's caliber. I only provide basic details in my descriptions, followed by some observations that I have made.

Obverse: George III faces right, his head adorned with a wreath of 10 leaves and three berries tied behind his neck with a riband of 1 bow and two loose ends. The top loose end appears to intersect the loop while the bottom loose end floats freely down, and the tip barely touches the upper leftmost curl. The curls of his hair rest behind the neck and on both shoulders. A brooch of 6 square jewels catches the drapery on the right shoulder. The lowest fold of the drapery is plain with a K in roughly the center. The legend which is contained within a thin raised rim and beaded border and is as follows: GEORGIUS III · D: G · REX. all evenly spaced. This particular example is remarkably free of contact marks and is truly premium quality for the grade. A prominent die crack appears starting at the rim just above the "e" in "REX". It extends through the border bead to the top point of the upper serif of the "E" and across to the lower left leg of the "X" and bisects the bust on the left shoulder. A small degree of fining is evident on the rim, indicating high striking pressure. Otherwise, this coin is relatively free of flaws and appears to be a well-struck example.

Reverse: The reverse portrays a crowned harp with 9 strings. The left side of the harp consists of a half-clad woman; her lower half is adorned with what I describe at a mermaid-like fin. Her top half is exposed with her arms depicted as wings that make up the top part of the harp where the crown rests. The bottom band of the crown is decorated with a pattern of precious stones that appears as the following: (· ˑ : · : ·◊· : · : ˑ ·). It should be noted that the center stone should be rotated 180 degrees, but I am not tech-savvy enough to do that. The top of the crown consists of two bridges, one on the left and on the right, which convenes at the top center of the cross located on the top middle of the band just described. Both bridges are decorated with ten beads resting upon a curved bar. However, unlike the other example of the 1805 Irish Pence in this set, the curved bar of the right bridge is complete and does not cease to exist after the 6th bead. Also, unlike the other example, the bottom portions of the crown (used to depict the inner ring where it would rest on the head) is striated.A flaw occurs toward the top of the leftmost harp string and extends to the 3rd but does not impede the design. Note the design of the right arm of the harp. This design becomes less elegant as the denomination decreases. The legend reads as follows: HIBERNIA. with the date 1805 appearing below the main device and is contained within a thin raised rim and beaded borders. All letters and numbers of the legend are without flaws.

Edge: Engrailed

Notes: This is one of the nicest circulation strike 1805 Irish Penny that I have seen. Overall, the piece is well struck, dripping with luster, free of significant distractors, and retaining a good deal of red color. The subtle differences between this example and the MS-63 BN example I have in this set are also intriguing. As I noted, I am unaware of an authoritative guide to Irish copper coinage that details different varieties. It would be interesting to see the subtle differences I highlighted are of any meaningful significance. In terms of numeric grade, NGC has graded two higher ( a 65 BN and a 66 BN), and PCGS has graded only 1 65 BN. This is the only red-brown designated example at either NGC and PCGS and, as such, is a top pop in consideration of color designation. Although these pieces are often deemed "common," they are notoriously difficult to find in truly uncirculated condition and all but impossible to find with any original red color remaining. Of course, their proof counterparts are relatively abundant, and it is often a more economical choice to purchase a well-preserved proof example as opposed to a business strike. This is especially true if you are wanting a RB or RD example.
View Coin 1805 Ireland Proof Penny Skinner Collection with Original Soho Shells Ireland 1603-1823 PENNY 1805 IRELAND Skinner Collection NGC PF 64 RB The proof Irish pennies tend to come up for sale much more frequently than either the farthings or halfpennies, which in part made me pickier about adding an example to my collection. I watched several very nice examples pass through various auction houses without placing a bid, mainly because these coins seemed to be selling for very strong prices. I did not want to pay an exorbitant price for a relatively common coin just to complete a set, but I was willing to pay more for an exceptional coin. I told myself that I would go all-in for a nice cameo piece (either graded or raw) or a nice example with the original shells. After a little over a year of searching, I stumbled upon this piece which nearly checked all of the boxes on my want list. Although not quite to the level deserving the cameo designation, there is a decent amount of contrast between the fields and main devices. Given how scarce cameo examples are in the marketplace I consider this a win that is only further complimented the silver-lined brass shells. The only thing that would have made this purchase better would be a provenance to either the Boulton estate or the Watt Jr collection. As I have noted before, I have yet to discover an excellent reference book for varieties that even comes close to Peck's caliber. I only provide basic details in my descriptions, followed by some observations that I have made.



Obverse: George III faces right, his head adorned with a wreath of 10 leaves and three berries tied behind his neck with a riband of 1 bow and two loose ends. The top loose end appears to intersect the loop while the bottom loose end floats freely down, and the tip barely touches the upper leftmost curl. The curls of his hair rest behind the neck and on both shoulders. A brooch of 6 square jewels catches the drapery on the right shoulder. The lowest fold of the drapery is plain with a K in roughly the center. The legend is contained within a thin raised rim and beaded border and is as follows: GEORGIUS III · D: G · REX. all evenly spaced. This particular example is remarkably free of contact marks and is truly premium quality for the grade and appears to be a well-struck example. Although the images do not accurately depict it, I would estimate that the obverse retains about 80% of its original red luster.

Reverse: The reverse portrays a crowned harp with 9 strings. The left side of the harp consists of a half-clad woman; her lower half is adorned with what I describe as a mermaid-like fin. Her top half is exposed with her arms depicted as wings that make up the top part of the harp where the crown rests. The bottom band of the crown is decorated with a pattern of precious stones that appears as the following: (· ▫· : □ : ·◊· : □ : ·▫). It should be noted that the center stone should be rotated 180 degrees, and the square gems are not in proper proportion or location, but I am not tech-savvy enough to do that. The top of the crown consists of two bridges, one on the left and on the right, which convenes at the top center of the cross located on the top middle of the band just described. Both bridges are decorated with ten beads resting upon a curved bar. The bottom portions of the crown (used to depict the inner ring where it would rest on the head) are striated. Note the design of the right arm of the harp. This design becomes less elegant as the denomination decreases. The legend reads as follows: HIBERNIA. with the date 1805 appearing below the main device and is contained within a thin raised rim and beaded borders. All letters and numbers of the legend are without flaws, except for a small raised dot appearing on the right leg of the last “A” in the legend. Like the obverse, I would estimate that the reverse retains about 80% of its original red luster.

Edge: Engrailed

Notes: I took my time to locate a choice and highly original example of the 1805 proof Irish Penny and I am so glad that I did. This coin is stunning in hand and if it were not for the slightest break in frost on the obverse, I think this coin would have received the coveted cameo designation. The strong contrast between the main devices and the fields paired with the fiery red luster make for an enjoyable viewing experience, but perhaps even more impressive is the fact this coin has retained its original silver-lined brass shells for well over two centuries. Thanks to NGC I can now rest assured that the shells will not be separated from the coin as they are now encapsulated in one holder. Despite the backlog of orders, staff shortages, and endless customer demands, NGC still took the time to help a small-time collector like me. In my opinion, that says a lot about the integrity of the company.
View Coin 1805 Ireland Proof Penny Ex. James Watt Jr. Collection with Original Soho Shells IRELAND 1603-1823 PENNY 1805 COPPER-BRONZED PLAIN EDGE RESTRIKE JAMES WATT COL. NGC PF 65 BN I have a soft spot for the Irish coinage struck at the Soho Mint. I remember being mesmerized by the high-quality Irish pieces from the Boulton Estate when I first discovered Bill McKivor’s website. From that moment on the decision was made – I had to have a nice Irish piece from either the James Watt Jr. or Boulton Family collection. I was fortunate enough to add this blazing example to my collection in 2023. Not only can its ownership be traced over two centuries, but it has also retained the original silver-lined brass shells.


Obverse: George III faces right, his head adorned with a wreath of 10 leaves and three berries tied behind his neck with a riband of 1 bow and two loose ends. The top loose end appears to intersect the loop while the bottom loose end floats freely down, and the tip barely touches the upper leftmost curl. The bow and two loose ends appear lightly striated. The curls of his hair rest behind the neck and on both shoulders. A brooch of 6 well-defined square jewels catches the drapery on the right shoulder. The lowest fold of the drapery is plain with a K in roughly the center. The legend is contained within a thin raised rim and beaded border and is as follows: GEORGIUS III · D: G · REX. all evenly spaced. There is an odd planchet flaw under the “O”. Although not designated on the holder, the obverse has a very deep cameo.

Reverse: The reverse portrays a crowned harp with 9 strings. The left side of the harp consists of a half-clad woman; her lower half is adorned with what I describe as a mermaid-like fin. Her top half is exposed with her arms depicted as wings that make up the top part of the harp where the crown rests. The bottom band of the crown is decorated with a pattern of precious stones that appears as the following: (• · : ? : ·?· : ? : · •). It should be noted that the center stone should be rotated 180 degrees, and the square gems are not in proper proportion or location, but I am not tech-savvy enough to do that. The top of the crown consists of two bridges, one on the left and the right, which convene at the top center of the cross located in the top middle of the band just described. Both bridges are decorated with ten recut beads resting upon a curved bar. The bottom left interior portion of the crown (used to depict the inner ring where it would rest on the head) is plain. The corresponding right side is missing entirely. Note the design of the right arm of the harp. This design becomes less elegant as the denomination decreases. The legend reads as follows: HIBERNIA. With several notable flaws throughout most of the letters. The most obvious appear on the H, I, B, and A. Beyond those flaws, all the letters have been double-struck with a slight counterclockwise rotation. The date 1805 appears below the main device with several notable flaws. For instance, the 8 is missing the top and bottom loops. The entire legend is contained within a thin raised rim and beaded borders. Like the obverse, the reverse has a very deep cameo.

Edge: When verifying the certification number, the data reported indicates that this coin has a plain edge. I am unable to verify this because the coin is an older holder with the prongs.

Notes: The pictures do not do this coin justice because the holder is very scuffed, which makes it difficult to photograph. I am surprised that NGC did not at least assign this coin the cameo designation. Overall, this coin is stunning in hand. My only worry is that I may never have the opportunity to find an equivalent halfpenny and farthing to complete the set. This piece appeared as lot 342 of the Watt Jr. auction and fetched a whopping £280 at the time. Sadly, the catalog description mentions an inscribed wrapper that has seemingly been lost to time, but it has retained the original silver-lined brass shells. Notably, this piece was sold as a single-item lot given the large group lots that preceded it in the catalog.

It is worth noting that this piece is marked as a "plain edge restrike", but is more appropriately classified as a "Late Soho" piece as it was not struck by Taylor.
View Coin 1806 Ireland Farthing IRELAND 1603-1823 1/4P 1806 NGC MS 66 BN This piece is a marked upgrade form the PCGS MS-64 example I previously had in my collection. Oddly enough, both of the business (i.e., currency) strike specimens I have owned were nicely toned. Given their relative availability I tend to hold out for the nicest example that I can find without much fear of waiting an extended period of time before another comes up for sale. This is the most affordable of the Irish coins in this set. As such, it makes for a good starting point for someone wanting to pursue the Irish copper struck at the Soho Mint.

Obverse: George III faces right, his head adorned with a wreath of 9 leaves, and three berries tied behind his neck with a riband of 1 bow and one loose end that flows out to the left and points down. The curls of his hair rest behind the neck and on both shoulders. A brooch of 6 beaded jewels catches the drapery on the right shoulder. The lowest fold of the drapery is plain. The legend which is contained within a thin raised rim and beaded border and reads as follows: GEORGIUS III · D: G · REX. all evenly spaced. This example has numerous die cracks. The most notable of which can be found immediately below the bust. A small groups of flaws arise in front of George’s chin and neck giving the King the appearance of a larger large, and singular unruly beard hair. The underlying mahogany brown luster is strong and uninterrupted by any contact marks, which serves to further enhance the deep fluorescent blue tone.

Reverse: The reverse portrays a crowned harp with nine strings. The left side of the harp consists of a half-clad woman; her lower half is adorned with what I describe at a mermaid-like fin. Her top half is exposed with her arms depicted as wings that make up the top part of the harp where the crown rests. The bottom band of the crown is decorated with a pattern of precious stones that appears as the following: (· · ● · · ● · · ● · ·). The top of the crown consists of two bridges, one on the left and on the right, which convene at the top center of the cross located on the top middle of the band just described. Both bridges are decorated with eight beads resting upon a curved bar. The inner ring of the crown is slightly textured. Note the design of the right arm of the harp; this becomes less elegant as the denomination decreases. The legend reads as follows: HIBERNIA. with the date 1806 appearing below the primary device. All of which is contained within a thin raised rim and beaded borders. The chocolate brown reflective fields are blemish-free with the same deep florescent blue tone found on the obverse.

Edge: Engrailed

Notes: As I alluded to earlier, the proof versions of this coin come up for sale very frequently. In most cases they are well preserved and have a hint of attractive toning, which is markedly absent on the business strike examples. This particular piece has developed a nice deep blue tone that blends in well with the otherwise even brown fields. Although this is an upgrade from my prior example, I sincerely doubt that a more deserving specimen will come to light. This is truly a spectacular coin in a remarkably high grade. The current specimen is a “Top Pop” at both NGC and PCGS. NGC record two others grading MS-66 BN with two other MS-66 examples recorded at PCGS.
View Coin 1822 Ireland Bronzed Proof ½ Penny S-6624 IRELAND 1603-1823 1/2P 1822 BRONZED PCGS PF 63 Brown In doing a little research on this coin, I noticed that several publications erroneously suggest that this coin would have been struck at the Soho Mint by Matthew Boulton. There are several issues with this statement. First, Matthew Boulton, who founded the Soho Mint, died in 1809, and his son Matthew Robinson Boulton took over the mint a short period before his death, so he and not his father would have struck these coins. Second, the Soho Mint never received another order for Irish coins after the first contract had been delivered in March of 1806. These facts make me think that what the authors were trying to say is that these coins were struck by the Royal Mint using the machinery purchased from the Soho Mint owner in 1805 and completely assembled at the new Royal Mint location of Little Tower Hill in the summer of 1807. This seems like a reasonable conclusion, but I would be very interested in hearing what others have to say.

Obverse: The obverse portrays George IV facing left. His hair is adorned with a laurel wreath of 13 leaves and no berries. The individual stems, as well as the midveins of most leaves, are visible. The wreath is tied together behind the neck with a ribbon with one bow and two loose ends, which droop down toward the shoulder. The bust is draped in cloth, which is caught by a round brooch with some indiscernible interior design on the left shoulder. The legend “GEORGIUS IV” occurs to the left of the primary device, and the remaining portion “D : G : REX.” occurs on the right. The rim is thin and raised with a toothed inner border. The entire legend is what one would expect from a proof strike with crisp details and no flaws. The obverse of this coin is fantastic. The deeply-mirrored chocolate brown fields are fully complemented by the neon blue hues throughout. Except for a slight blemish on the “G” in GEORGIUS, this coin is immaculate.

Reverse: The reverse portrays a crowned harp with ten strings. The left side of the harp consists of a half-clad woman; her lower half is adorned with what I describe at a mermaid-like fin. Her top half is exposed with her arms depicted as wings that make up the top part of the harp where the crown rests. The bottom band of the crown is decorated with a pattern of precious stones that appears as the following: (◊ : · : · : ◊ : · : · : о : · : ·: ◊ : · : ·: ◊). It should be noted that the lozenge-shaped gems should be rotated 180 degrees, and the · : · pattern should be closer together to form a cross, but I did not know how to do that in word. The band immediately above the band decorated in gems has a Maltese cross at its center flanked by a fleur-de-Lis on either side with a vertically striated cushion-like design in the background. The outer bands of the crown are decorated with 17 beads and converge in the middle of the inner centered Maltese cross, which is mounted by an orb and cross. The legend “HIBERNIA.” occurs above the primary device with the date “1822” occurring at the bottom below the harp. The rim is thin and raised with a toothed inner border. The reverse of this coin is breathtaking and looks slightly better than the obverse. The same deeply-mirrored chocolate brown fields occur on the reverse, and the neon blue hues are even stronger on the primary device and legend, giving them the appearance of a cameo. This is by far the most attractive proof Irish copper piece I have seen from this period.

Edge: Plain

Weight: 137.0 grains (8.88)

Notes: This coin has unbelievable eye appeal. Believe it or not, the pictures make this coin look dual compared to an in-hand inspection. The blue hues are more prevalent, and they contrast sharply with the chocolate brown fields to give the viewer an illusion of a cameo. I made a deal with myself to only collect the Irish copper from Charles II to George III and that I would eventually use the coinage of IV as a buffer to the much more modern Irish Free State coinage. I violated this deal, but I think I did so for a good reason. It is not very often that a coin comes up for sale that I am just completely captivated by. I noticed this coin in an auction catalog, and knowing that my budget was small, I mostly ignored everything else so that I could focus all of my efforts on this piece. This is one of my top 5 favorite coins in my collection and has a forever home in my box of 20!
View Coin 1823 Ireland Proof ½ Penny S-6624 IRELAND 1603-1823 1/2P 1823 PCGS PF 64 Brown Please note the introductory text is the same between the 1822 and 1823 halfpennies. An erroneous claim has been made for both.

In doing a little research on this coin, I noticed that several publications erroneously suggest that this coin would have been struck at the Soho Mint by Matthew Boulton. There are several issues with this statement. First, Matthew Boulton, who founded the Soho Mint, died in 1809, and his son Matthew Robinson Boulton took over the mint a short period before his death, so he and not his father would have struck these coins. Second, the Soho Mint never received another order for Irish coins after the first contract had been delivered in March of 1806. These facts make me think that what the authors were trying to say is that these coins were struck by the Royal Mint using the machinery purchased from the Soho Mint owner in 1805 and completely assembled at the new Royal Mint location of Little Tower Hill in the summer of 1807. This seems like a reasonable conclusion, but I would be very interested in hearing what others have to say.

Obverse: The obverse portrays George IV facing left. His hair is adorned with a laurel wreath of 13 leaves and no berries. The individual stems, as well as the midveins of most leaves, are visible. The wreath is tied together behind the neck with a ribbon with one bow and two loose ends, which droop down toward the shoulder. The bust is draped in cloth, which is caught by a round brooch with some indiscernible interior design on the left shoulder. The legend GEORGIUS IV occurs to the left of the primary device, and the remaining portion D : G : REX. occurs on the right. The rim is thin and raised with a toothed inner border. The entire legend is what one would expect from a proof strike with crisp details and no flaws.

Reverse: The reverse portrays a crowned harp with ten strings. The left side of the harp consists of a half-clad woman; her lower half is adorned with what I describe at a mermaid-like fin. Her top half is exposed with her arms depicted as wings that make up the top part of the harp where the crown rests. The bottom band of the crown is decorated with a pattern of precious stones that appears as the following: (◊ : · : · : ◊ : · : · : о : · : ·: ◊ : · : ·: ◊). It should be noted that the lozenge-shaped gems should be rotated 180 degrees, and the · : · pattern should be closer together to form a cross, but I did not know how to do that in word. The band immediately above the band decorated in gems has a Maltese cross at its center flanked by a fleur-de-Lis on either side with a vertically striated cushion-like design in the background. The outer bands of the crown are decorated with an undiscernible number of beads and converge in the middle of the inner centered Maltese cross, which is mounted by an orb and cross. The legend HIBERNIA. occurs above the primary device with the date “1823” occurring at the bottom below the harp. The rim is thin and raised with a toothed inner border.

Edge: Plain

Notes: Holy smokes! I never would have imagined that a mate to the neon blue-toned 1822 proof halfpenny existed. My mind was blown when I stumbled upon this example for sale at auction. In an instant I made my mind up – I had to pair these two together. I bid live and ended up paying what I thought was an incredibly fair price. I now oddly completed the George IV proof Irish Halfpenny series even though I was not trying to do so. This coin and its perfectly matched counterpart are two of my favorite pieces and they will forever have a home in my collection.

To follow or send a message to this user,
please log in