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THE HiISTORY OF SPANISH COLONIAL COINS IN THE NEW WORLD

Category:  World Coins
Owner:  oldgoatsboats
Last Modified:  11/27/2012
Set Description
A collection of coins that illustraits the develpoment of the Spanish Viceroyalties in the New world, which would eventually change the monetary system of the entire world.

As the conquistadors Hernando Cortes and Francisco Pizarro built upon and expanded the initial explorations by Christopher Columbus in the Caribbean region of the Americas, the Spanish crown began to realize by the 1520s that it was in charge of an enormous empire requiring extensive settlement and systems of control. It was challenged to control a frontier community thousands of miles from it's home base, and in parts of which the exact geography could only be vaguely surmised. To deal with this situation, the crown, located in the Spanish Kingdom of Castile, created two vast political jurisdictions called Vicerovalties, which together embraced most of the territory of the Western Hemisphere. One, known as New Spain (Nueva Espana), was created in 1535 and included all the Spanish provinces north of the Isthmus of Panama. The other, created in 1544, was centered in Peru, and covered all of Spanish South America from Panama to points south. This system of control remained unaltered for nearly two centuries. Nueva Espana and El Peru were each governed by a viceroy who was appointed by the King of Spain and acted in his name. As the king's personal representative, each viceroy had, as a critical part of his duties, the mission of ensuring that there was a steady and copious flow of gold and silver from the mines and mints of his viceroyalty into the royal treasuries of the Spanish mainland.

The driving forces of the Spanish conquest have often been enumerated as "God, gold, and glory." This is to say the conquest was movitated by a desire to spread the Catholic faith, to achieve fame, honer and even nobility as a member of Spain's invading armies, and to acquire the wealth that would presumably accrue to the individuals involved. However, few real riches were initially found and the colonizers became strapped to secure the necessities of life on a day to day basis. Survival required some form of commerce involving the sale of goods and services. By 1525 there was a flurry of petitions from the colonists to Spain requesting that a royal mint be established in New Spain. Responding to the interests of it's colonial leaders and it's own increasing desire for ever more gold and silver, the crown authorized the development of mints in Mexico and Santo Domingo (1535) and then later in Lima (1568) and La Plata/Potosi (1573). These were the foreunners of still other mints, Panama (1580), Cartagena (1622), Santa Fe de Bogata (16220, Cuzco (1698) and Guatemala (1733).

The Mexico mint was one of the great mints of Spanish colonial America and the first in the western Hemisphere. From it's initiation in 1536 until the last cob pieces were produced in 1734, it was a major source of nearly one-half of the world's silver supply and much of it's gold. It's 8 reales cobs, known as "reales de a ocho, pesos", and "pieces of eight," circulated throughout the world as a standard medium of exchange. The Mexico mint, along with the Viceroyalty of Peru's minting enterprise at Potosi, would see a run of cob coinage lasting about two centuries. During it's years of service the mint produced totals of roughly 765 million prsos in silver, 9 million pesos in gold and 200,000 pesos in copper. Mexico's sustained silver production was only equaled by that of Potosi. The mints production was generally of such high quality that it was not tainted by the scandles that routinely plagued the Potosi facility. It was therefore permitted by the spanish crown to retain it's famous shield style desigh beyound 1652, whereas Potosi not only was forced to change it's design, but was also under constant scrutiny by royal authorities.

The coinages of the Americas began with the Mexico mint which was located in the original Mexico City which Hernando Cortes had built directly on top of the ruins of the former Aztec city of Tenochtitlan in 1523.

The first silver coins minted are known as the Early Pillars and Waves design (1536-1544) and the Late Pillars and Waves Design (1544-1572) minted during the reign of Charles and Juana (1536-1556) and Philip II (1556-1598).

Set Goals
To acquire an example of each type of Spanish Colonial 8 Reale coin minted in the New World.

Slot Name
Origin/Country
Item Description
Full Grade
Owner Comments
Pics
View Coin EARLY SERIES PILLARS, 1536-1541 MEXICO - TO 1600 (1538-41) 0.9310 Silver..4069 oz. ASW, 4R (1541-42)M P oMo, CHARLES & JOANNA DOTTED CIRCLES NGC VF Details THIS COIN"S PLACE IN HISTORY
This is an example of the 4 Reales known as the "Early Series" (1536-1541). They are undated and minted during the reign of Charles I and Juana of Spain. They were struck beginning in 1537 at the Mexico mint and were minted from 1537 to 1541 and were known as the Pillars design.
This is a very rare speciman in VF condition with nearly complete legends on both sides. The obverse shield of Spain is complete along with the mintmark, oMo and assayer initial oPo. The names of the king and queen are boldly struck in the reverse legend.

DESCRIPTION:
OBVERSE: Crowned arms, Latin M's for mint mark (oMo) to the left and assayer (oPo Pedo de Espina) to the right.
Obv. Legend: in Latin incircling the rim: (KAROLVS * ET * IOHANA * RE

REVERSE: Crowned Pillars with the denomination (4) between them. In the early coins the 4 was slanted.
Rev. Legend: (HISPANIARVM ET INDIARVM)
Legend Translation : Charles and Johana King of Spain and the Indies.
View Coin LATE SERIES PILLARS AND WAVES, 1544-1555 FRANCE - TO 1600 (1542-55) 0.9310 Silver..4069 oz. ASW, ECU'OR 1565F FR-378 CHARLES IX NGC XF 45 THIS COIN'S PLACE IN HISTORY
Around the year 1542 new die punches were sent to Mexico from Spain for a new design. The basic design remained the same but the mint mark and the assayer's initial were placed on the obverse, one on either side of the shield.
The reverse of the coin was modified to place the two crowned Pillars of Hercules in water, representing their actual location at the Straits of Gibralter. This modification was adopted on later cob varieties and has become known as the "Pillars and Waves" design. Also, the motto PLVS VLTRA was modified. Rather than simply using PLVS in a banner between the columns, the full motto was included, broken into three sections by the two columns with the banner removed.

This design, known as the "Late Series", continued to be minted after the ascendancy of Phillip II in 1556. At the Mexico City mint they even continued to use the Charles and Johanna legend. However, at Lima, when the mint opened in 1568, they used the same design as Mexico City but with PHILIPVS II.

DESCRIPTION:
OBVERSE: Crowned arms, mint mark (M) to the left and assayer (G Juan Gutierrez) to the right.
Obv. Legend: in Latin incircling the rim: (CHROLVS * ET * IOHANA * REGES

REVERSE: Crowned Pillars with the denomination (4) between them. In the early coins the 4 was slanted.
Rev. Legend: (HISPANIARVM ET INDIA)
Legend Translation : Charles and Johana King of Spain and the Indies.
View Coin INTRODUCING THE COB, 1572-1734 GERMANY - STATES 3 (1574-86) 0.9310 Silver..8102 oz. ASW, 3M 1914J HAMBURG NGC XF 40 THIS COIN'S PLACE IN HISTORY
This is the third type of Spanish colonial silver coinage struck in the New World and is known as the Shield and Cross type. These were the first of the crude cobs and were all undated. These coins were struck by hand at the Mexico, Santo Domingo, Lima, La Plata, Potosi, Panama, Cartagena and Bogota mints in the time period of 1572 to 1734. The design incorporated the Spanish coat of arms or shield on the obverse side and a cross representing the union of Church and State on the reverse. Shield type cob coinage was first struck at the Mexico City mint in 1572 and ceased production in 1733 when it was replaced by the machine struck Pillar Dollar.

DESCRIPTION:
OBVERSE: Crowned arms, mint mark (Mo) and assyer's initial B (Hernando Ballesteros) to the left, denomination (8) to the right.
Legend in Latin incircling the rim: (PHILIPPVS D.G. HISPANIARVM)

REVERSE: Cross of Jerusalem in tressure, castles and lions in quarters. Legend incircling the rim: (ET INDIARVM REX).

LEGEND TRANSLATION:(Philip by the Grace of God King of Spain and the Indies)

HISTORY:
The Lima mint also struck shield type coins in 1572, but only a few coins were minted before operations ceased the same year. Potosi began striking coins in 1574 using dies from the Lima mint. Shield type production ceased at Potosi in 1652, because of the great scandle, and was replaced by the "Pillar and Waves" design.
As additional silver deposits were discovered in the colonial territories there was a pressing demand to export it to Spain as quickly as possible. To do this, starting in the reign of Philip II, the mints produced irregular coinage called cobs. Rather than rolling out a bar of silver into a sheet of a specific thickness that could then be cut into smooth round planchets which would be stamped into coins, a faster method was employed. A bar of silver was simply cut into chunks of the appropriate weight. These small sliver chunks were then treated as if they were finished planchets and were hammer struck between crude dies. The size, shape and impression of these cobs was highly irregular but they were the proper weight. Many cobs were quite thick and disfigured with large cracks. Also, these uneven clumps made poor planchets so that frequently only a small portion of the image on the die was impressed on the silver. If a cob was overweight the minter simply clipped a piece off, further disfiguring the coin.



















COB ERROR, 1574-1586 BOLIVIA - TO 1600 (1574-86) 8R (1578-82)P L PHILIP II "ISPANIARVM" THIS COIN'S PLACE IN HISTORY
Quite often during the period 1574 to 1586, the H in HISPANIARVM was missing (ISPANIARVM). This occured when assayers Alonso Rincon (1574-86) (R), Miguel Garcia (1574-79) (M) and 1574-86 Geronimo Leto (L) worked as assayers at Potosi.
View Coin NEW BOLIVIAN COB DESIGN BOLIVIA - COLONIAL to 1824 (1747-78) 0.9170 Silver..7982 oz. ASW, 8R 1767P V Y P TYPE III KM-45 NGC VF 30 THIS COIN'S PLACE IN HISTORY
DESCRIPTION:
Reverse:
Crowned pillars and waves in a tic-tac-toe block of nine spaces.

Top Left: Mint Mark (P)
Top Middle: Denomination (8)
Top Right: Assayer Mark (V Jose de Vargas, senior assayer 1760-1773).

Bottom Left: Assayer Y (Raimundo de Yturriaga)
Bottom Middle: Date, three last digits (767)
Bottom Right: Mint Mark repeated (P)

Obverse:
A large cross of Jerusalem dominates, and within the 4 quadrants of the cross are two lions (bottom left and top right) and two castles (bottom right and top left), emblematic of the merger of the two mrdieval kingdoms of Leon (lion) and Castilla (Castile or castle) that formed the nucleus of the unified provinces that became Spain. The denomination is on the rim at 12:00, the assayer's at 3:00, the date at 6:00 and mint mark at 9:00.

HISTORY:
This speciman was designed to meet the requirements of King Philip IV.
This was the so-called "Pillars-and-Waves" design. The pillars are the Pillars of Hercules, a mythological reference to the Straits of Gibraltar, with one pillar in Spain, actually the Rock of Gibraltar, and the other in North Africa, where mountains rise from the coast opposite Gibraltar. Erected by the god Hercules, these two skyward reaches on each side of the entrance to the Mediterranean were considered by the ancients to be the end of the world, "ne plus ultra" (as was often inscribed on early European maps), the "nothing beyond", hence an exit into the unknown. The waves under the pillar represent distance by sea. Emblazoned horizontally across the middle of the pillars was the counter-motto "Plus Ultra", without it's former "ne", hence "more beyond". The message was: Over the waves (Atlantic Ocean), beyond the Pillars of Hercules, a New World (America) exists, with the implication that this New World belongs to Spain.

The Potosi transition period was the beginning of a relatively standard coinage that was to circulate worldwide for well over a hundred years. The mint went into full production of it's new cob coinage and mint records indicate that during 1652 the Potosi mint produced a total of some 2,220,359 pesos, in denominations of 8, 4, 2, 1 and 1/2 reales. To shore up confidence in the new coins, the royal authorities in Maddrid announced an edict of 23 September 1653 that Potosi's coinage would be accepted by all parts of the Spanish empire.

Despite the optimism by the new start, Potosi in fact had entered upon a gradual but steady decline, one that lasted well into the eighteenth century. There were numerous reasons for the decline but the maine reason was the silver ore was generally of lower quality and deeper under ground which reguired ever larger quantites of ore alonf with the expensive mercury.

Despite a series of reforms which included a new mint and new machine made coinage, the mint's output gradually deteriorated until production of cob coinage was terminated in 1773.

















































View Coin AN EMERGENCY BACKUP FOR NEW SCREW PRESS MEXICO - TO 1823 (1733-34) 0.9160 Silver, 8R 1733MO MF KLIPPE EX: ROOSWIJK WRECK NGC XF Details .

After gaining experience as an assistant assayer during the 1720s, Captain Felipe Rivas Anglo served as the working assayer during the period when the mint began to change from the handstruck, cob-style coins to the new, machined pieces produced on a screw press. In accordance with the royal decree of 9 June 1728, screw press production began on 29 March 1732. In reality, the introduction of the new and unfamiliar technology at first slowed production so that it was necessary to continue minting cobs into 1733. As a result, the assayer's initial F not only appears in 1732 on cob pieces and the new style "pillar dollar" pieces, but also in 1733 on the series of silver coins known as "klippes". The word thought to derive from the Swedish verb meaning to clip or cut with shears," is widely used to describe money produced in emergency situations like sieges, when time or facilities were lacking for the production of round planchets. The Spanish term for such coins is recortados--items that have been cut or trimmed more than once. The word reflects the reality of the period at the Mexican mint. The klippes were generally too large and had to be trimmed around the edges to obtain the proper weight. They were produced like cobs to make up the continued shortfall in milled coins, and were the last coin issued with the traditional Bourbon shield.












































View Coin THE MEXICAN 8 REALES, PILLAR MEXICO - TO 1823 8R 1733MO F MILLED KM-103, GIL M-8-2 NGC AU Details
View Coin THE FIRST 8 REALES, PORTRAIT MEXICO - TO 1823 1773 -1784 0.9030 Silver..7858 oz. ASW, 8R 1775MO FM KM-106.2 NGC XF Details THIS COIN'S PLACE IN HISTORY
DESCRIPTION:
This type is the sixth and last type of Spanish Colonial silver coinage struck in the New World and is the Milled Portrait type. These were machine struck on full-sized round planchets.

OBVERSE:
The design was modified to replace the arms of Leon and Castile with an armored bust of the king and a legend giving the king's name and title as, CAROLUS III DEI GRATIA (Charles III by the Grace of God) with the date.

REVERSE:
The coins continued to display the two Pillars of Hercules with the motto PLUS VLTRA (More Beyond) on banners, but the two orbs between the columns were replaced with the crowned shield of Leon and Castile. The legend reads, HISPAN. ET IND. REX (King of Spain and the Indies) followed by the mintmark, the denomination and the assayer's initials.

EDGE:
The laurel leaf edge was also replaced with an edge design comprised of alternating circles and rectangles. These coins, continued to be minted through 1821.









































View Coin Charles III, PICTURE LATE TO PERU PERU 1659-1826 0.8960 Silver, .7797 oz. ASW 8R 1788LIMA IJ Bust of Charles II, legend Charles III KM-78a NGC VF 35 THIS COIN'S PLACE IN HISTORY
The Lima mint had not received a portrait of Charles III when it began coinage of the bust design in 1772. It was forced to use a portrait of Charles II with the legend of CAROLUS III until 1789.

DESCRIPTION:
OOBVERSE:
The obverse design has a bust of the king and a legend giving the king's name and title as, CAROLUS III DEI GRATIA (Charles III by the Grace of God) with the date 1788).

REVERSE:
The reverse design has the two Pillars of Hercules with the motto PLUS VLTRA (More Beyond) on banners, flanking the crowned shield of Leon and Castile. The legend reads, HISPAN. ET IND. REX (King of Spain and the Indies) followed by the mintmark in monogram (LM), the denomination (8) and the assayer's initials (IJ Unknown). The edge design is comprised of alternating circles and rectangles.












View Coin Charles IIII, PICTURE LATE TO PERU PERU 1659-1826 0.8960 Silver, .7797 oz. ASW, 8R 1790LIMA IJ LM Bust of Charles III, Legend Charles IV, KM# 87 NGC XF Details THIS COIN'S PLACE IN HISTORY
A two year transitional design with the incorrect armored bust of Charles III and the correct legend Charles IV. When Charles III died in 1788 it took many months for a portrait of the new king Charles IV to reach New Spain. Until it arrived the old portrait of Charles the III continued to be used.

DESCRIPTION:
OBVERSE: The obverse design has a bust of Charles III and the legend giving the king's name and title as, CAROLUS IV DEI GRATIA.

Obv. Translation: Charles IIII by the Grace of God) with the date 1790.

REVERSE: The reverse design has the two Pillars of Hercules with the motto PLUS VLTRA (More Beyond) on banners, flanking the crowned shield of Leon and Castile. The legend reads, HISPAN. ET IND. REX ) followed by the mintmark (LM in monogram), the denomination (8) and the assayer's initials (IJ-Unknown.

Rev. Translation:(King of Spain and the Indies.)

The edge design is comprised of alternating circles and rectangles
Mintage: 4,313,000








































View Coin CHARLES IIII PICTURE LATE TO MEX. MEXICO - TO 1823 0.9030 Silver .7858 oz. ASW, 8R 1790MO FM "CAROLUS IIII" CHARLES III BUST KM 108 NGC AU 58 THIS COIN'S PLACE IN HISTORY
A two year transitional design with the incorrect armored bust of Charles III and the correct legend of Charles IIII. When Charles III died in 1788 it took many months for a portrait of the new king, Charles IV, to reach New Spain. Until it arrived the old portrait of Charles the III continued to be used and the Mexico City mint used the designation IIII instead of IV as done at the Lima mint.

DESCRIPTION:
OBVERSE: The obverse design has a bust of the king and the legend giving the king's name and title as, CAROLUS IIII DEI GRATIA (Charles IIII by the Grace of God) with the date 1790.

REVERSE: The reverse design has the two Pillars of Hercules with the motto PLUS VLTRA (More Beyond) on banners, flanking the crowned shield of Leon and Castile. The legend reads, HISPAN. ET IND. REX (King of Spain and the Indies) followed by the mintmark (Mo), the denomination (8) and the assayer's initials (FM-Francisco Arance Cobos & Mariano Rodriguez). The edge design is comprised of alternating circles and rectangles.

NOTE: Coins were minted in 1790 with both Charles IV and Charles IIII legends.
View Coin CHARLES IIII PICTURE ARRIVED MEX. MEXICO - TO 1823 0.8960 Silver. .7797 oz. ASW. 8R 1794MO FM KM# 109 NGC XF Details THIS COIN'S PLACE IN HISTORY
This coin has the portrait of Charles IIII with the legend of Charles IIII. This is the correct legend and portrait after a two year transition period.

DESCRIPTION:
OBVERSE: The obverse design has a bust of Charles IIII and a legend giving the king's name and title as, CAROLUS IIII DEI GRATIA (Charles IIII by the Grace of God) with the date.

REVERSE: The reverse has the two Pillars of Hercules with the motto PLUS VLTRA (More Beyond) on banners flanking the crowned shield of Leon and Castile. The legend reads, HISPAN. ET IND. REX (King of Spain and the Indies) followed by the mintmark (Mo) the denomination (8) and the assayer's initials (FM-Francisco Arance Cobos and Mariano Rodriguez). The edge design is comprised of alternating circles and rectangles.
View Coin FERDINAND VII PICTURE LATE TO PERU PERU 1659-1826 1808-1809 0.8960 Silver, .7797 oz. ASW 8R 1808LIMA JP FERDINAND VII LARGE IMAGINED BUST KM# 106.1 NGC XF 45 THIS COIN'S PLACE IN HISTORY
A transitional period from 1808 until 1811. King Charles IIII died in 1808 and Lima, rather than continue to use his portrait until a portrait of the new king Ferdinand VII arrived, used an imaginary bust of an Inca soldier with the correct legend, Ferdinand VII, during the period 1808 through part of 1811.

DESCRIPTION:
OBVERSE: The obverse design has an imaginary bust of an Inca soldier and the legend giving the king's name and title as, FERDND VII DEI GRATIA (Ferdinand VII by the Grace of God) with the date.

REVERSE: The reverse has the two Pillars of Hercules with the motto PLUS VLTRA (More Beyond) on banners flanking the crowned shield of Leon and Castile. The legend reads, HISPAN. ET IND. REX (King of Spain and the Indies) followed by the mintmark (LM) in monogram, the denomination (8) and the assayer's initials (JP-Juan Rodriquez Gutierrez and Pedro Cano). The edge design is comprised of alternating circles and rectangles.
FERDIN VII PICTURE LATE TO CHILE CHILE - COLONIAL 1808 to 1809 0.8960 Sliver. .7797 oz. ASW 8R 1808SO FJ "FERDIN VII" KM# 68 THIS COIN'S PLACE IN HISTORY
A transitional period in Chile from 1808 until 1811. King Charles IIII died in 1808 and Santiago, rather than continue to use his portrait until a portrait of the new king Ferdinand VII arrived, used an imaginary military bust of a Inca soldier during the years 1808 and 1809. Peru and Mexico received portraits of the new king in 1809 but Chile didn't receive their portraits until 1812. They revised the imaginary Inca design of 1808 and 1809 slightly and used it for coins dated 1810 and 1811.

DESCRIPTION:
OBVERSE: The obverse design has an imaginary bust of an Inca soldier and the legend giving the king's name and title as, FERDND VII DEI GRATIA (Ferdinand VII by the Grace of God) with the date.

REVERSE: The reverse has the two Pillars of Hercules with the motto PLUS VLTRA (More Beyond) on banners flanking the crowned shield of Leon and Castile. The legend reads, HISPAN. ET IND. REX (King of Spain and the Indies) followed by the mintmark (SO), the denomination (8) and the assayer's initials (FJ-Francisco Rodriguez Brochero and Jose Maria de Bobadilla). The edge design is comprised of alternating circles and rectangles.








CHILE STILL WAITING FERDIN VII PICTURE CHILE - COLONIAL 1810-1811 0.8960 Silver, .7797 oz. ASW 8R 1810SO FJ SO KM# 75 THIS COIN'S PLACE IN HISTORY

View Coin MEXICO WAITING FOR FERDIN VII PICTURE MEXICO - TO 1823 ,1808 to 1809 0.8960 Silver, .7797 oz. ASW, 8R 1809MO TH ,KM# 110 NGC AU Details THIS COIN'S PLACE IN HISTORY
A transitional period from 1808 until 1811. King Charles IIII died in 1808 and Mexico, rather than continue to use his portrait until a portrait of the new king Ferdinand VII arrived, used an armored imaginary bust of Ferdinand with the correct legend Ferdinand VII during the period 1808 through part of 1811.

DESCRIPTION
OBVERSE: The obverse design has an imaginary bust and the legend giving the king's name and title as, FERDND VII DEI GRATIA (Ferdinand VII by the Grace of God) with the date.

REVERSE: The reverse has the two Pillars of Hercules with the motto PLUS VLTRA (More Beyond) on banners flanking the crowned shield of Leon and Castile. The legend reads, HISPAN. ET IND. REX (King of Spain and the Indies) followed by the mintmark (Mo), the denomination (8) and the assayer's initials (TH-Tomas Burton Miranda and Henrique Buenaventura Azorin). The edge design is comprised of alternating circles and rectangles.

.
View Coin PERU WAITING FOR FERDIN VII PICTURE PERU 1659-1826 ,1809-1811 0.8960 Silver, .7797 oz. ASW, 8R 1811LIMA JP IMAGINED BUST KM# 106.2 NGC AU 53 THIS COIN'S PLACE IN HISTORY
A transitional period from 1808 until 1811. King Charles IIII died in 1808 and Lima, rather than continue to use his portrait until a portrait of the new king Ferdinand VII arrived, used an imaginary bust of an Inca soldier with the correct legend, Ferdinand VII, during the period 1808 through part of 1811.

DESCRIPTION:
OBVERSE: The obverse design has an imaginary bust of an Inca soldier and the legend giving the king's name and title as, FERDIN VII DEI GRATIA (Ferdinand VII by the Grace of God) with the date.

REVERSE: The reverse has the two Pillars of Hercules with the motto PLUS VLTRA (More Beyond) on banners flanking the crowned shield of Leon and Castile. The legend reads, HISPAN. ET IND. REX (King of Spain and the Indies) followed by the mintmark (LM) in monogram, the denomination (8) and the assayer's initials (JP-Juan Rodriquez Gutierrez and Pedro Cano). The edge design is comprised of alternating circles and rectangles.















View Coin FERDIN VII PICTURE ARRIVED MEXICO FREDINAND VII PICTURE ARRIVED MEX. MEXICO - TO 1823 ,1811 TO 1821 0.9030 Silver .7859 oz. ASW, 8R 1821MO JJ KM# 111 NGC AU 50 THIS COIN'S PLACE IN HISTORY
OBVERSE: The obverse design has the draped bust of Ferdinand VII and the legend giving the king's name and title as, FERDN VII DEI GRATIA (Ferdinand VII by the Grace of God) with the date 1821.

REVERSE: The reverse has the two Pillars of Hercules with the motto PLUS VLTRA (More Beyond) on banners flanking the crowned shield of Leon and Castile. The legend reads, HISPAN. ET IND. REX (King of Spain and the Indies) followed by the mintmark (Mo), the denomination (8) and the assayer's initials (JJ-Joaquin Davila Madrid and Jose Garcia Ansaldo). The edge design is comprised of alternating circles and rectangles.











View Coin THE END OF SPANISH RULE PERU 1659-1826 ,1824/3 0.8960 Silver..7797 oz. ASW, 8R 1824CUZCO T CUZ, 1824/3, KM# 117.2 NGC FINE Details THIS COIN'S PLACE IN HISTORY
1824/3-T Spanish Colonial silver 8 reales coin, struck at the royal mint in Cuzco Peru during the last year of King Ferdinand VII's (1808-1833) control over the South American colonies. When General Canterac's Royalist troops were ousted from Lima by rebel forces, he ordered that most of the minting tools from Lima be hurriedly moved up to the Andean capital of Cuzco. A crude mint started issuing it's first Colonial 8 reales in 1824 under assayer "T".

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