BRUCE THOMAS COLLECTION OF SO-CALLED DOLLARS AND OTHER MEDALS
HK-074 MS 63

Obverse:

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Reverse:

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Coin Details

Origin/Country: United States PHILADELPHIA, PA 1876
Design Description: SO-CALLED DOLLARS - HIBLER & KAPPEN US CENTENNIAL EXPOSITION
Item Description: WHITE METAL SC$1 1876 PA HK-74 DECLAR OF INDEPENDENCE US CENTENNIAL EXPOSITION HK-74
Full Grade: NGC MS 63
Owner: Bruce Thomas Collection

Set Details

Custom Sets: BRUCE THOMAS COLLECTION OF SO-CALLED DOLLARS AND OTHER MEDALS
Competitive Sets: This coin is not competing in any sets.
Research: NGC Coin Explorer NGC Coin Price Guide

Owner Comments:

ONLY (8) GRADED FINER OF (44) LISTED IN THE NGC CENSUS AS OF 1/2022, INCLUDING MY MS 66 EXAMPLE.

U.S. CENTENNIAL EXPOSITION 1876 PHILADELPHIA, PA

DECLARATION OF INDEPENDENCE DOLLAR

Obverse engraved by Abraham Demarest; reverse engraved by George Hampden Lovett.

Purpose: To commemorate 100th anniversary of signing of United States Declaration of Independence.

Organization: Our first major multiple-building World's Fair; distinguished by direct Federal sponsorship. After spirited rivalry among larger cities, Congressional Acts 1871, 1872 settled issue; also created Centennial Commission on which all states and territories represented, and Board of Finance to work with Exposition Company; latter chartered locally, $10 stock certificates sold to public. City granted $1,000,000; state and Congress over $4,000,000.

Site: Portion of Fairmount Park, 236 acres, presented "free of all expense" by city. Of 167 buildings erected, only one was permanent. Built of "granite, glass and iron," Memorial Hall became Philadelphia's Museum of Art.

Dates, Attendance: May 10-Nov. 10, 1876; officially "opened" by President Grant. Attendance almost 10,000,000; over 8,000,000 paid.

Participants: All states and territories and 49 foreign countries represented; 26 of former and some of latter erected own buildings. Exhibitors numbered 30,000; many Federal displays included Mint Exhibit.

Comment: Our first "international exhibition of the arts, manufactures and products of the earth" proved to American citizens and foreign visitors alike that U.S. had "grown up...able to takes its place among nations of the world in commerce and industry." With 71 acres under roof, architecture was of "gingerbread" type, its influence still felt in older sections of some cities. Multiple-structure approach, as opposed to single large building, followed new European plan. Exposition emphasized machines and mechanical progress; "served as inspiration for decades" for industrial expansion. Alexander Graham Bell exhibited his telephone for first time. Aesthetically, America was electrified by display of work of world's artists. Previously, material problems concerned our young nation; art playing no significant part in American life. With this awakening, numerous art schools and societies sprang into being; there was rush of American students to Paris. Total impact on our cultural life was remarkable and permanent.

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