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United States
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38mm 1969 A.N.A. BRONZE 78TH - PHILADELPHIA PA. #209 GASPARRO FECIT
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NGC MS 66
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This is the set that got me started. I really like Frank Gasparro's rendition of Libertas Americana, and I think the eagle on the reverse should be portrayed on more of our coinage.
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United States
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38mm 1969 A.N.A. SILVER 78TH - PHILADELPHIA PA. #209 GASPARRO FECIT
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NGC MEDAL MS 69
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1969 38mm Silver Medal - 78th Annual Convention - Philadelphia, PA
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United States
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19mm 1969 A.N.A. BRONZE 78TH - PHILADELPHIA PA.
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NGC MS 67
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1969 19mm Bronze Medal - 78th Annual Convention - Philadelphia, PA
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United States
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38mm 1970 A.N.A. BRONZE 79TH - ST. LOUIS MO. #315 MEDALLIC ART CO.NY
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NGC MS 69
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The statue titled "Apotheosis of St. Louis" was presented to the City of St. Louis by the Louisiana Purchase Exposition Company in 1906. Sculpture Charles H. Niehaus designed the 4,000 lbs. statue out of bronze. The statue is perched on a granite pedestal and stands over 40' feet tall, from the ground to the hilt of the outstretched sword. Its location in front of the St. Louis Art Museum is appropriate, as it overlooks the former scene of the 1904 World's Fair. The Statue of St. Louis became a City Landmark in 1971.
I like the way they used the arch to emphasize the different periods of history from "Wagons West" to the space age.
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United States
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38mm 1970 A.N.A. SILVER 79TH - ST. LOUIS MO. #315 MEDALLIC ART CO.NY
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NGC MS 69
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1970 38mm Silver Medal - 79th Annual Convention - St. Louis, MO
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United States
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19mm 1970 A.N.A. BRONZE 79TH - ST. LOUIS MO.
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NGC MS 67
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1970 19mm Bronze Medal - 79th Annual Convention - St. Louis, MO
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United States
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38mm 1971 A.N.A. BRONZE 80TH - WASHINGTON DC #262 MEDALLIC ART CO.NY
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NGC MS 69
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1971 38mm Bronze Medal - 80th Annual Convention - Washington, DC
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United States
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38mm 1971 A.N.A. SILVER 80TH - WASHINGTON DC #262 MEDALLIC ART CO.NY.
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NGC MS 69
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1971 38mm Silver Medal - 80th Annual Convention - Washington, DC
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United States
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19mm 1971 A.N.A. BRONZE 80TH - WASHINGTON DC
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NGC MS 68
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1971 19mm Bronze Medal - 80th Annual Convention - Washington, DC
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United States
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38mm 1972 A.N.A. BRONZE 81ST - NEW ORLEANS LA. #146 MEDALLIC ART CO.NY
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NGC MS 69
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1972 38mm Bronze Medal - 81st Annual Convention - New Orleans, LA
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United States
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38mm 1972 A.N.A. SILVER 81ST - NEW ORLEANS LA. #146 MEDALLIC ART CO.NY.
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NGC MS 69
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To me, the scroll work on the obverse is reminiscent of a lot of the fancy ironwork you might see in New Orleans on gates and railings.
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United States
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19mm 1972 A.N.A. BRONZE 81ST - NEW ORLEANS LA.
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NGC MEDAL UNC Details
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1972 19mm Bronze Medal - 81st Annual Convention - New Orleans, LA
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United States
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39mm 1973 A.N.A. BRONZE 82ND - BOSTON MA. #12
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NGC MS 69
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The texture of the fields is stunning, and makes it look almost as though the sun is just coming up on the horizon to the east.
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United States
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39mm 1973 A.N.A. SILVER 82ND - BOSTON MA. #12
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NGC PF 65 UC
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1973 38mm Proof Silver Medal - 82nd Annual Convention - Boston, MA
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United States
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19mm 1973 A.N.A. BRONZE 82ND - BOSTON MA.
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NGC MEDAL UNC Details
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1973 19mm Bronze Medal - 82nd Annual Convention - Boston, MA
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United States
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39mm 1974 A.N.A. BRONZE 83RD - BAL HARBOUR FL. #334
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NGC MS 69
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1974 38m Bronze Medal - 83rd Annual Convention - Bal Harbour, FL
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United States
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39mm 1974 A.N.A. SILVER 83RD - BAL HARBOUR FL. #334
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NGC PF 66 CA
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1974 38mm Proof Silver Medal - 83rd Annual Convention - Bal Harbour, FL
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United States
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19mm 1974 A.N.A. BRONZE 83RD - BAL HARBOUR FL.
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NGC MS 68
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1974 19mm Bronze Medal - 83rd Annual Convention - Bal Harbour, FL
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United States
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38mm 1975 A.N.A. BRONZE 84TH - LOS ANGELES CA. #301 MEDALLIC ART CO CT
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NGC MS 68
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1975 38mm Bronze Medal - 84th Annual Convention - Los Angeles, CA
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United States
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38mm 1975 A.N.A. SILVER 84TH - LOS ANGELES CA. #301 MACO
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NGC MS 68
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1975 38mm Silver Medal - 84th Annual Convention - Los Angeles, CA
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United States
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19mm 1975 A.N.A. BRONZE 84TH - LOS ANGELES CA.
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NGC MS 65
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This 19mm bronze is really strange. Comparing the design with the 38mm medals, if you look closely at the central skyscraper on the obverse, it appears to be leaning slightly to the left beginning about one-third of the way up. The same appears to be true for the smaller buildings just to the right of the freeway exit ramp. On the reverse, the central column of the mission appears to be leaning to the right. I would imagine that the black splotches might have had something to do with the lower grade, but all of this reminds me of damage you might expect to see from an earthquake.
I was considering submitting this medal for conservation, but I think I'll leave it just the way it is.
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United States
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38mm 1976 A.N.A. BRONZE 85TH - NEW YORK NY. #092 AMI
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NGC MS 65
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1976 38mm Bronze Medal - 85th Annual Convention - New York City, NY
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United States
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38mm 1976 A.N.A. SILVER 85TH - NEW YORK NY. #092 AMI
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NGC MS 69
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What can I say? It's New York, and yes, you can get a sore neck trying to look at the tops of all of the skyscrapers.
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United States
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19mm 1976 A.N.A. BRONZE 85TH - NEW YORK NY. #029 AMI
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NGC MS 67
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1976 19mm Bronze Medal - 85th Annual Convention - New York City, NY
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United States
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38mm 1977 A.N.A. BRONZE 86TH - ATLANTA GA #159 RWM
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NGC MS 67
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To me, this bronze medal is even more stunning than the silver version, though I'm still trying to figure if that is some kind of shrub in front of the eagle or it is just mad about something. Does anyone think that the tree to the right of the Dahlonega Mint building looks like the head on James Fraser's buffalo nickel?
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United States
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38mm 1977 A.N.A. SILVER 86TH - ATLANTA GA #159
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NGC PF 67 UC
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1977 Proof Silver Medal - 86th Annual Convention - Atlanta, GA
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United States
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19mm 1977 A.N.A. BRONZE 86TH - ATLANTA GA. #159 RWM
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NGC MS 68
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1977 19mm Bronze Medal - 86th Annual Convention - Atlanta, GA
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United States
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38mm 1978 A.N.A. BRONZE 87TH - HOUSTON TX. #263
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NGC MS 68
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1978 38mm Bronze Medal - 87th Annual Convention - Houston, TX
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United States
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38mm 1978 A.N.A. SILVER 87TH - HOUSTON TX. #263
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NGC MS 66
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1978 38mm Silver Medal - 87th Annual Convention - Houston, TX
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United States
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19mm 1978 A.N.A. BRONZE 87TH - HOUSTON TX. #263
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NGC MS 67
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1978 19mm Bronze Medal - 87th Annual Convention - Houston, TX
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United States
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38mm 1979 A.N.A. BRONZE 88TH - ST. LOUIS MO. #101. MACO
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NGC MS 69
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In preparation for the 1904 World's Fair, the city of St. Louis decided that it would be too expensive to construct permanent buildings, so they opted to use wood framing with facades of a material much similar to plaster of paris that could be easily demolished once the Fair had ended. Such was the fate of Festival Hall.
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United States
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38mm 1979 A.N.A. SILVER 88TH - ST. LOUIS MO. MACO
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NGC MS 68
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1979 38mm Silver Medal - 88th Annual Convention - St. Louis, MO
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United States
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19mm 1979 A.N.A. BRONZE 88TH - ST. LOUIS MO. #101. MACO
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NGC MS 68
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United States
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38mm 1980 A.N.A. BRONZE 89TH - CINCINNATI OH. #082. MACO
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NGC MS 68
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The Tyler Davidson Fountain or The Genius of Water is a statue and fountain located in Cincinnati, Ohio. It is regarded as the city's symbol and one of the area's most-visited attractions. It was dedicated in 1871 and is the centerpiece of Fountain Square, a hardscape plaza at the corner of 5th and Vine Streets in the downtown area.
Originally, and for more than 130 years, it was located in the center of 5th Street (Fountain Square's original configuration), immediately west of Walnut Street. In 2006, renovations were undertaken to Fountain Square, and the Tyler Davidson Fountain was temporarily removed. When reinstalled it was relocated to a much wider space near the north end of the reconfigured square, closer to the Fifth Third Bank Building and away from street traffic. The fountain is turned off for the winter months and turned on again in time for the first home game of Major League Baseball's Cincinnati Reds, the oldest professional baseball team, in April.
The 43-foot-tall (13 m) fountain is cast in bronze and sits on a granite base. It features a 9-foot-tall (2.7 m) bronze statue of a woman with outstretched hands, out of which flow streams of water. Several smaller central human figures represent the practical uses of water and four outer figures with animals represent the pleasures of water. These are working drinking fountains from which passersby can drink. Panels on its lower part depict the industrial uses of water.
The construct is made of approximately 24 short tons (22 t) of bronze and 85 short tons (77 t) of granite. It is estimated that 500 US gallons (1,900 l) of water flow through it every minute.[citation needed
After the death of his brother-in-law and business partner Tyler Davidson, Cincinnati businessman Henry Probasco went to Munich, Germany in search of a suitable memorial to him. Many years before, artist August von Kreling had collaborated with Ferdinand von Miller at the Royal Bronze Foundry of Bavaria to design a fountain to rival the great fountains of Europe but which would glorify mankind rather than fanciful creatures and mythic deities. When Miller could find no patron to sponsor the fountain, the designs languished until Probasco came to him with an interest in a similar theme.
The fountain was cast in separate sections at the foundry and shipped to Cincinnati for assembly. Probasco requested that the City of Cincinnati remove the dilapidated market along 5th Street between Vine and Walnut Streets for the fountain. In its place an esplanade bisecting 5th Street was built, the designer was architect William Tinsley. Tinsley had also designed the Henry Probasco House in the suburb of Clifton. The esplanade made the fountain easily visible to anyone traveling by. Miller traveled to Cincinnati for the dedication ceremony, which took place on October 6, 1871, it is estimated that 20,000 people were present. Miller and Von Kreling enjoyed a degree of celebrity in the city.
The fountain originally faced east, toward Europe, where much of Cincinnati's population originated. When Fountain Square was redone in the late 1960s, the fountain was realigned to face west. With the newest rendition of Fountain Square, the fountain faces to south since it is on the edge of the square.
The fountain was renovated for the first time in 1970 for a celebration of its centennial. The Fountain Square plaza was also redesigned for better traffic flow, and the fountain was moved and turned to face west rather than east. Additional repairs and another refurbishing project was undertaken in 1999. In 2005, as part of Fountain Square's revitalization, the city decided to move the entire fountain to the center of Fountain Square. The estimated cost was approximately $42 million. The city was responsible for $4 million. During the renovation the fountain was on display at the Cincinnati Art Museum.
Fountain Square reopened on October 14, 2006 with an elaborate ceremony that included different stages for multiple bands, food, beer and fireworks. The fountain continues to be a backdrop for various cultural events in Cincinnati: movie nights, game shows, and the ice rink which opens in the winter.
The fountain is most familiar to non-Cincinnati residents for being featured in the opening credits (at its former location) of the television series.
http://upload.wikimedia.org/wikipedia/commons/9/93/Tyler-davis-fountain-1906.jpg
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United States
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38mm 1980 A.N.A. SILVER 89TH - CINCINNATI OH. #082. MACO
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NGC MS 69
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United States
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19mm 1980 A.N.A. BRONZE 89TH - CINCINNATI OH. #082. MACO
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NGC MS 68
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United States
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38mm 1981 A.N.A. BRONZE 90TH - NEW ORLEANS LA. #214. MACO. ANTIQUED
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NGC MS 65
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United States
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38mm 1981 A.N.A. SILVER 90TH - NEW ORLEANS LA. #214. MACO. ANTIQUED
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NGC MS 64
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United States
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19mm 1981 A.N.A. BRONZE 90TH - NEW ORLEANS LA. #214. MACO. ANTIQUED
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NGC MS 67
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United States
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38mm 1982 A.N.A. BRONZE 91ST - BOSTON MA. #261. MACO
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NGC MS 68
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Excerpted from Wikipedia:
The Treaty of Paris, signed on September 3, 1783, ended the American Revolutionary War between Great Britain on one side and the United States of America and its allies on the other. Peace negotiations began in April of 1782, involving American representatives Benjamin Franklin, John Jay, Henry Laurens, and John Adams. The British representatives present were David Hartley and Richard Oswald. The treaty document was signed at the Hotel d'York – which is now 56 Rue Jacob – by John Adams, Benjamin Franklin, and John Jay (representing the United States) and David Hartley (a member of the British Parliament representing the British Monarch, King George III).
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United States
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38mm 1982 A.N.A. SILVER 91ST - BOSTON MA. #261. MACO
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NGC MS 69
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United States
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19mm 1982 A.N.A. BRONZE 91ST - BOSTON MA. #261. MACO
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NGC MEDAL MS 68
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1982 19mm Bronze Medal - 91st Annual Convention - Boston, MA
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